It’s been over a month since I first
watched the screen adaptation of the popular young-adult novel, The Hunger
Games. I believe I am finally ready to review it without being biased. There were
a million thoughts that crossed my mind when I watched the film. I am going to
mention just a few here. Before you read on, I have to warn you, THIS IS A SPOILER
ZONE! Do not read any further if you plan to watch the movie in future.
“Does this darkness have a name? This cruelty? This hatred?
How did it find us? Did it steal into our lives or did we seek it out and
embrace it? What happened to us? That we now send our children into the world
like we send young men to war, hoping for their safe return, but knowing that
some will be lost along the way. When did we lose our way? Consumed by the
shadows; swallowed by all the darkness. Does this darkness have a name? Is it
your name?”
Those words are not from the Hunger Games.
In fact, it is a quote by Lucas Scott (Chad Michael Murray) of One Tree Hill. But
they have captured the essence of Suzanne Collin’s story perfectly. And by the looks
of it, so has Gary Ross’s film. The bleak tones of a dystopian society have
come alive on screen exactly how I, as a reader, had imagined. Author Collin’s involvement
ensured that the script didn’t stray too far from the novels. Needless to say, the
film has ripped the BoxOffice to shreds!

One doesn’t need to read the books to
enjoy this film. The director has explained the premise of the movie in a very
crisp and efficient manner, using an introductory Capitol video, and interviews
before the reaping. In the distant future, North America has been divided into
thirteen (one of which had been destroyed) districts, all of which are under an
oppressive totalitarian rule of the formidable Capitol. The only form of “entertainment”
in the impoverished districts is the Nationally Televised “Hunger Games”. This is
a whole new low for reality TV where teenagers are trapped in a gladiatorial
arena and have to kill each other for survival. It certainly makes you wonder,
could the current inane reality shows ever stoop to such drastic measures for
ratings?
Critics and fans alike have complained about
the use of hand-held camera. I, on the other hand, think that the use of a
handheld camera lent the movie a gritty, indie feel. The desperation in the
districts couldn’t have been better portrayed. The feeling of disorientation
that a tribute must experience during the first crucial minutes into the Games
was easily realized with the shaky camera effect. Add to that the quick shots, eerie
background music and no sound of combat, the effect was gripping!
Though the script didn’t change the
original story much, some of the additional scenes really helped. For instance,
the scene where President Snow berates Seneca Crane for awarding Katniss a
near-perfect score and explains the need for a victor; it really helped
understand the psyche of the universally hated character. The Games from the
game-makers’ perspective was insightful. The part where Katniss and Foxface collide
and are both unwilling to make the first violent move clearly differentiated
the Career tributes from the rest. Also the scene with Crane and the berries
after the Games was beyond COOL!
The entire cast was impeccable; in
fact, I think, that was the best part about this movie. I had my doubts about
Jennifer, you know, with her being too old and voluptuous for a starving
sixteen year old. But ten minutes into the movie, I realized that the only
thing that really matters is whether she can act the part; and boy, did she
deliver! Right from the very beginning, she was spot on. The audience could
pinpoint the many facets to this incredible heroine. Her sarcasm towards the
cat, her playful yet vulnerable exchange with Gale, and her almost tangible
distaste for anything Capitol was all a part of her charm. One of the less
noticeable features, that I particularly loved, was how she was with Prim and her
mother. The way she immediately jumped to her aid whenever the younger sibling
needed comfort or adulation clearly showed that she had been in charge in the
Everdeen household for a very long time. The way she always had difficulty
accepting help from her mother or even the way she almost ordered her mother
not to give in to grief once she left was Oscar worthy! Seriously, I wouldn’t be
surprised if Jennifer gets nominated once again. As a matter of fact, the only complaint I had,
was how late her reaction was when Prim was reaped. It seemed like forever when
she finally jolted out of her reverie and volunteered as a tribute.
Peeta—well, I am not too happy with
Josh Hutcherson. He just didn’t live upto the Peeta of my imagination. I can’t
point out exactly what was wrong with him, he certainly looked the part. But something
was definitely off. He just wasn’t Peeta enough. And the over-hyped cave scene was a disappointment.
Liam Hemsworth as Gale, the third wheel, didn’t really have much
to do in this film. But his few scenes were layered with meaning. Plus the
camera loves him, which is always a good thing when the majority of the
audience is made up of teenage girls.
Haymitch and Effie Trinket were beyond
reproach. Elizabeth Banks was just too good, what with her Capitol enunciation
and remarkable insensitivity towards the plight of the tributes. The lines “That
is Mahogany” has almost become a catchphrase. Haymitch deserves major brownie
points for his act. He owned every minute of the screen-time that he got! He
completely won me over with his reaction when he found out about the arrow that
Katniss had shot at the game-makers. In fact, secretly, I have been shipping Effie
and Haymitch for quite some time now; you’ve got to admit –they have great
chemistry!
Stanely Tucci released his arsenal of
talent as soon as he revealed his otherworldly grin to the world. He was
engaging, he was funny, and he gave his audience exactly what they wanted.
Prim and Rue, both have an uncanny
talent of squeezing out tears from the viewers. Rue’s death was just tragic. One
of the scenes that made no sense to me was Cato’s insane rambling on the
Cornucopia. What was the boy thinking? Had the Games driven him off the edge? But,
given that he was a Career and had been training for the Games from a young age,
it seems unlikely.
Translating words from pages to the
screen is always a risky business. When you are reading you can soak in the
magic of a whole new fictional world in your head, and you can take your own
sweet time doing so. But on screen, with a limited time on your hands, some
unimportant characters are deleted, emotions are not properly portrayed, and
the experience is just not the same. For instance, you couldn’t see any of the
horror, or sometimes even mean glee that the tributes experienced after each kill.
Something that helped a lot was having a superb protagonist to root for. Unlike
Twilight (no offense, Twihards) this film had a strong badass female protagonist
who could hunt, shoot arrows, live off roots and squirrels, sleep on trees and
would do anything to protect those she loved. She was far from the damsels in
distress and did not throw tantrums or wallow in self-pity when she didn’t get what
she wanted. She is the modern girl’s idea of a perfect yet suitably flawed heroine. And that’s what I love about The Hunger Games and it’s tearing me up to
see Gary Ross’s departure from the franchise.
Kudos to Ross, a director who could satisfy
millions of fans and critics alike!